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	<title>MIT Music and Theater Arts News</title>
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	<link>http://mta.scripts.mit.edu/CES</link>
	<description>musings and happenings</description>
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		<title>2013 Music and Theater Student Awards</title>
		<link>http://mta.scripts.mit.edu/CES/2013/05/16/2013-music-and-theater-student-awards-2/</link>
		<comments>http://mta.scripts.mit.edu/CES/2013/05/16/2013-music-and-theater-student-awards-2/#comments</comments>
		<pubDate>Thu, 16 May 2013 15:35:37 +0000</pubDate>
		<dc:creator>Clarise Snyder</dc:creator>
				<category><![CDATA[Music News]]></category>
		<category><![CDATA[Theater News]]></category>

		<guid isPermaLink="false">http://mta.scripts.mit.edu/CES/?p=4265</guid>
		<description><![CDATA[INSTITUTE AWARDS Louis Sudler Prize in the Arts Presented to a graduating senior who has demonstrated excellence or the highest standards of proficiency in music, theater, painting, sculpture, design, architecture or film Emily R. Su ‘13 Laya and Jerome B. &#8230; <a href="http://mta.scripts.mit.edu/CES/2013/05/16/2013-music-and-theater-student-awards-2/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p><strong>INSTITUTE AWARDS</strong></p>
<p><strong>Louis Sudler Prize in the Arts</strong><br />
Presented to a graduating senior who has demonstrated excellence or the highest standards of proficiency in music, theater, painting, sculpture, design, architecture or film <strong>Emily R. Su ‘13</strong></p>
<p><strong>Laya and Jerome B. Wiesner Student Art Award</strong><br />
Presented to students, either undergraduate or graduate, living groups, organizations or activities for outstanding achievement in and contributions to the arts at MIT<br />
<strong>Noah Arbesfeld ‘13</strong><br />
<strong> Jean Sack ‘13</strong><br />
<strong> MIT Festival Jazz Ensemble, Fred Harris, Music Director</strong><br />
Sam Heilbroner, Max Maybury, alto saxophones; Dylan Sherry, James Arana, tenor saxophones; Colleen Josephson, baritone saxophone; Ariel Wexler, Sarvesh Garimella, Daniel Goodman, Jakcob Dahl, Chris Kottke, trumpets; Molly Furlong, Ido Meshulam, Rodrigo Paniza, trombone; Kenneth McEnaney, bass trombone; Peter Godart, piano; Devon Rosner, guitar; Will Grathwohl, vibraphone; Adrian Grossman, Otto Briner, bass; Daniel Smithwick, drums; Otto Briner, percussion</p>
<p><strong><br />
MTA MUSIC AWARDS</strong></p>
<p><strong>The Endicott World Music Award</strong><br />
Presented in recognition of distinguished service and musical contribution to world music<br />
Otto Briner ‘15</p>
<p><strong>Gregory Tucker Memorial Prize</strong><br />
Presented in recognition of exceptional ability in composition, performance, or historical-cultural studies and overall contributions to the Music and Theater Arts Section<br />
<strong>Amelia Carver ‘13</strong><br />
<strong> Chelsi Green ‘13</strong></p>
<p><strong>Everett Longstreth Jazz Award</strong><br />
Presented in recognition of distinguished service and musical contribution to the MIT Festival Jazz Ensemble<br />
<strong>Samuel P. Heilbroner ‘13</strong><br />
<strong> Devon J. Rosner ‘13</strong><br />
<strong> Ariel Wexler ‘13</strong></p>
<p><strong>Richard and Jody Nordlof Award</strong><br />
Presented in recognition of distinguished service and musical contribution to the MIT Wind Ensemble<br />
<strong>Anirudh Arun ‘13</strong><br />
<strong> Emily Su ‘13</strong></p>
<p><strong>David Epstein Award</strong><br />
Presented in recognition of distinguished service and musical contribution to the MIT<br />
Symphony Orchestra<br />
<strong>Shelley Ackerman ‘13</strong><br />
<strong> Bridget Wall (G)</strong></p>
<p><strong>Philip Loew Memorial Award</strong><br />
Presented in recognition of creative accomplishment in music<br />
<strong>Bryan Changala ‘13</strong><br />
<strong> Beth Hadley ‘ 15</strong><br />
<strong> Praveen Venkataramana ‘14</strong><br />
<strong> John Bowler ‘14</strong></p>
<p><strong>Ragnar and Margaret Naess Awards</strong><br />
Presented in Recognition of Outstanding Public Performances<br />
<strong>Albert Wu ‘14, piano (Emerson Fellow)</strong><br />
<strong> Ryan Liu, piano (Emerson Fellow)</strong><br />
<strong> Daniel Manesh ’13 (Emerson Fellow)</strong><br />
<strong> Dylan Sherry (G), jazz sax (Emerson scholar)</strong><br />
<strong> Peter Godart ‘14, jazz piano (Emerson scholar)</strong><br />
<strong> Adrian Grossman ‘14, electric bass (Emerson scholar)</strong></p>
<p><strong>Ragnar and Margaret Naess Certificates of Distinction</strong><br />
Presented in recognition of outstanding performances<br />
<strong>Benjamin Gunby ‘15, piano (Emerson scholar)</strong><br />
<strong> Yimin Chen ‘13, piano (Emerson scholar)</strong><br />
<strong> Elizabeth George (G), voice (Emerson scholar)</strong><br />
<strong> Vineet Gopal ‘13, flute (Emerson scholar)</strong><br />
<strong> Evan Lynch ‘13, cello (Emerson scholar)</strong><br />
<strong> Sae Kyoung Jang ‘13, cello (Emerson scholar)</strong></p>
<p><strong>Acknowledgement of Steadfast Commitment to Chamber Music Performance</strong><br />
Students are presented with a Membership to the AMPCP Chamber Music Network<br />
<strong>Merritt Boyd &#8217;13</strong><br />
<strong> Yimin Chen &#8217;13</strong><br />
<strong> Queenie Chan &#8217;13</strong><br />
<strong> Elizabeth Choe &#8217;13</strong><br />
<strong> Russel Cohen &#8217;13</strong><br />
<strong> Kyumin Lee &#8217;13</strong><br />
<strong> Chung An Max Wu, &#8217;13</strong><br />
<strong> Allison Lee &#8217;13</strong><br />
<strong> Charles Hsu ‘13</strong><br />
<strong> John Chen &#8217;13</strong><br />
<strong> Ari Umans, &#8217;13</strong><br />
<strong> Emily Su, 13</strong></p>
<p><strong><br />
MTA THEATER AWARDS</strong></p>
<p><strong>Edward S. Darna Award</strong><br />
Presented to graduating students who have demonstrated excellence in theater arts<br />
and made a substantial contribution to the health of theater life on the MIT campus<br />
<strong>Chinua Shaw ‘13</strong><br />
<strong> Cathy T. Zhang ‘13</strong></p>
<p><strong>Joseph D. Everingham Award</strong><br />
Presented to graduating students in recognition of a single creative accomplishment in<br />
theater arts<br />
<strong>HyoJeong Choi ‘13</strong><br />
<strong> Jaclyn Wilson ‘13</strong></p>
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		<title>Theater Arts Performance Week</title>
		<link>http://mta.scripts.mit.edu/CES/2013/05/14/theater-arts-performance-week/</link>
		<comments>http://mta.scripts.mit.edu/CES/2013/05/14/theater-arts-performance-week/#comments</comments>
		<pubDate>Tue, 14 May 2013 15:39:53 +0000</pubDate>
		<dc:creator>Clarise Snyder</dc:creator>
				<category><![CDATA[Theater Event]]></category>
		<category><![CDATA[Theater News]]></category>

		<guid isPermaLink="false">http://mta.scripts.mit.edu/CES/?p=4239</guid>
		<description><![CDATA[Theater Arts students from courses 21M.606 and 21M.840 will be hosting free performances in E33, The Rinaldi Building. Tuesday, May 14 // 3pm-5pm // 21M.606 Introduction to Stagecraft: Final Performances Thursday, May 16 // 3pm-5pm // 21M.606 Introduction to Stagecraft: &#8230; <a href="http://mta.scripts.mit.edu/CES/2013/05/14/theater-arts-performance-week/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>Theater Arts students from courses 21M.606 and 21M.840 will be hosting free performances in E33, The Rinaldi Building.</p>
<p>Tuesday, May 14 // 3pm-5pm // 21M.606 Introduction to Stagecraft: Final Performances<br />
Thursday, May 16 // 3pm-5pm // 21M.606 Introduction to Stagecraft: Final Performances<br />
Friday, May 17 // 2pm &amp; 5pm // 21M.840 Performance Media: A dazzling new production of The Tower of Babel featuring Bridger Maxwell, Victor Rodriguez Gallego and Anthony Venegas.</p>
<p><a href="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/05/IMG_2801.jpeg"><img class="alignleft size-full wp-image-4240" alt="IMG_2801" src="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/05/IMG_2801.jpeg" width="640" height="480" /></a></p>
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		<title>Boston Chamber Music Society Reviews</title>
		<link>http://mta.scripts.mit.edu/CES/2013/05/14/boston-chamber-music-society-review/</link>
		<comments>http://mta.scripts.mit.edu/CES/2013/05/14/boston-chamber-music-society-review/#comments</comments>
		<pubDate>Tue, 14 May 2013 14:42:12 +0000</pubDate>
		<dc:creator>Clarise Snyder</dc:creator>
				<category><![CDATA[Music News]]></category>

		<guid isPermaLink="false">http://mta.scripts.mit.edu/CES/?p=4231</guid>
		<description><![CDATA[The Boston Musical Intelligencer May 13, 2013 BCMS Delivers Interesting and Offbeat by Susan Miron &#8220;The Boston Chamber Music Society has been in business for three decades because they are doing a huge amount right. Interesting, offbeat pieces keep turning &#8230; <a href="http://mta.scripts.mit.edu/CES/2013/05/14/boston-chamber-music-society-review/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p><strong>The Boston Musical Intelligencer<br />
</strong>May 13, 2013</p>
<p><em><strong>BCMS Delivers Interesting and Offbeat<br />
</strong></em>by <a title="Posts by Susan Miron" href="http://classical-scene.com/author/susan-miron/" rel="author">Susan Miron</a></p>
<p>&#8220;The Boston Chamber Music Society has been in business for three decades because they are doing a huge amount right. Interesting, offbeat pieces keep turning up on their programs, and the core group of artists and guests remain very high-caliber.&#8221;</p>
<p><a href="http://classical-scene.com/2013/05/13/offbeat/"><strong>READ FULL REVIEW</strong></a></p>
<p><strong>The Boston Globe</strong><br />
May 14, 2013</p>
<p><em><strong>Unity and rarity mark chamber concert</strong></em><br />
by Matthew Guerrieri</p>
<p>CAMBRIDGE — Chamber music is often analogized to a counterpoint of views, but Sunday’s Boston Chamber Music Society concert at Sanders Theatre presented a united front, so much so that when, near the beginning of Dmitri Shostakovich’s Op. 57 Piano Quintet, cellist (and BCMS founder) Ronald Thomas broke a string, one half expected the other players to follow suit. In approach and interpretation, the conversation was that of a like-minded gathering.</p>
<p><a href="CAMBRIDGE — Chamber music is often analogized to a counterpoint of views, but Sunday’s Boston Chamber Music Society concert at Sanders Theatre presented a united front, so much so that when, near the beginning of Dmitri Shostakovich’s Op. 57 Piano Quintet, cellist (and BCMS founder) Ronald Thomas broke a string, one half expected the other players to follow suit. In approach and interpretation, the conversation was that of a like-minded gathering. "><strong>READ FULL REVIEW</strong></a></p>
<p><strong>Strings</strong><br />
May 9, 2013</p>
<p><strong><em>Live from Montreal !<br />
</em></strong>by Laurence Vittes</p>
<p>On May 9, as Montreal’s professional hockey Canadiens saw its season end in a one-sided defeat to rivals from Ottawa, two resplendent, overlapping musical events also took place in town: the 18th Montreal Chamber Music Festival and the 2013 edition of the Montreal International Violin Competition.</p>
<p>Before a nearly full house in St. George’s Anglican Church in downtown Montreal, the Chamber Music Festival kicked off its season with a concert that was as many layered as the music.</p>
<p>Making their first festival appearance, the Boston Chamber Music Society (BCMS) played Menotti’s Suite for Two Cello and Piano, Shostakovich’s Piano Quintet and Schubert’s Quintet D. 956.</p>
<p>The concert reflected the close bond between musicians in Montreal and Boston, especially poignant after the recent Boston bombings, and the enduring friendship between BCMS artistic director and violist Marcus Thompson and the festival’s founder and artistic director Denis Brott (they had been students together at Aspen 50 years ago).</p>
<p>Also, it was announced that the festival’s three weeks of concerts will be broadcast to U.S. audiences through American Public Media by Boston’s WGBH, and that the program will travel to Harvard University’s Sanders Theatre for BCMS’s season finale.</p>
<p>Menotti’s engaging, 15-minute Suite, highlighted by a gorgeous “Arioso,” was something special for Brott. It was written in 1973 for performance at the Spoleto Festival in Italy by Gregor Piatigorsky and his young Canadian student and assistant, Denis Brott.</p>
<p>On the music’s 40th anniversary, Brott took over the first chair and was joined by BCMS cellist Ron Thomas and pianist Mihae Lee.</p>
<p><a href="http://www.allthingsstrings.com/Blog/Live-from-Montreal"><strong>READ FULL REVIEW</strong></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>Reviews of Harbison&#8217;s Great Gatsby by Emmanuel Music</title>
		<link>http://mta.scripts.mit.edu/CES/2013/05/14/review-of-harbisons-great-gatsby-by-emmanuel-music/</link>
		<comments>http://mta.scripts.mit.edu/CES/2013/05/14/review-of-harbisons-great-gatsby-by-emmanuel-music/#comments</comments>
		<pubDate>Tue, 14 May 2013 14:37:51 +0000</pubDate>
		<dc:creator>Clarise Snyder</dc:creator>
				<category><![CDATA[Music News]]></category>

		<guid isPermaLink="false">http://mta.scripts.mit.edu/CES/?p=4228</guid>
		<description><![CDATA[The Boston Globe May 13, 2013 A belated Boston premiere for &#8216;Gatsby&#8217; by Jeremy Eichler FULL REVIEW &#160; The Boston Musical Intelligencer May 13, 2013 Pursuing Firzgerald by Brian Schuth &#8220;In the opera, the emotional extremity is embodied in the &#8230; <a href="http://mta.scripts.mit.edu/CES/2013/05/14/review-of-harbisons-great-gatsby-by-emmanuel-music/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p><strong>The Boston Globe</strong><br />
May 13, 2013</p>
<p><em><strong>A belated Boston premiere for &#8216;Gatsby&#8217;</strong></em><br />
by Jeremy Eichler</p>
<p><a href="http://www.bostonglobe.com/arts/music/2013/05/13/review-john-harbison-opera-the-great-gatsby-presented-emmanuel-music/YpIoUPE1RgrKRR8T1VjEXN/story.html"><strong>FULL REVIEW</strong></a></p>
<p>&nbsp;</p>
<p><strong>The Boston Musical Intelligencer<br />
</strong>May 13, 2013</p>
<p><strong><em>Pursuing Firzgerald </em></strong>by Brian Schuth</p>
<p>&#8220;In the opera, the emotional extremity is embodied in the orchestral writing, which is kaleidoscopic, almost wild, expressionistic, with romantic swooning, dissonant climaxes, shot through with masterful ventriloquisms of 1920s jazz songs. The songs emerge from radios or from the band at Gatsby’s parties, and Harbison does such an excellent job imitating the period that you’d be forgiven for thinking them quotations.  <a href="http://classical-scene.com/2013/05/13/pursuing-fitzgerald/"><strong>FULL REVIEW</strong></a></p>
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		<title>The Lab as Observational Art: Screening/Discussion</title>
		<link>http://mta.scripts.mit.edu/CES/2013/05/10/the-lab-as-observational-art-screeningdiscussion/</link>
		<comments>http://mta.scripts.mit.edu/CES/2013/05/10/the-lab-as-observational-art-screeningdiscussion/#comments</comments>
		<pubDate>Fri, 10 May 2013 15:46:41 +0000</pubDate>
		<dc:creator>Clarise Snyder</dc:creator>
				<category><![CDATA[Music Event]]></category>
		<category><![CDATA[Music News]]></category>

		<guid isPermaLink="false">http://mta.scripts.mit.edu/CES/?p=4207</guid>
		<description><![CDATA[6pm, Wednesday May 15, 2013 MIT Chipman Room, Rm. 6-104 Pablo Correa &#8211; Editor, El Espectador (Colombia), MIT Knight Science Journalism Program &#8220;These Eyes Follow the Moon&#8221; Filmed at Woods Hole Oceanographic Institution Peter McMurray &#8211; Doctoral student, Music Department, &#8230; <a href="http://mta.scripts.mit.edu/CES/2013/05/10/the-lab-as-observational-art-screeningdiscussion/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>6pm, Wednesday<br />
May 15, 2013<br />
MIT Chipman Room, Rm. 6-104</p>
<p>Pablo Correa &#8211; Editor, El Espectador (Colombia), MIT Knight Science Journalism Program<br />
<em>&#8220;These Eyes Follow the Moon&#8221;</em><br />
Filmed at Woods Hole Oceanographic Institution</p>
<p>Peter McMurray &#8211; Doctoral student, Music Department, Harvard University<br />
<strong><em>&#8220;Glass Band&#8221;</em></strong><br />
<strong>Filmed at the MIT Glass Lab</strong><br />
<a href="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/05/lab-as-observational-art.jpg"><img class="alignleft size-full wp-image-4208" alt="lab as observational art" src="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/05/lab-as-observational-art.jpg" width="700" height="461" /></a><br />
For more information contact Emily Richmond Pollock (pollock@mit.edu)<br />
Presented in collaboration with MIT Music and Theater Arts, the MIT Glass Lab, and the Knight Science Journalism Program</p>
<p>&nbsp;</p>
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		<title>Conversation with Elena Ruehr (online interview)</title>
		<link>http://mta.scripts.mit.edu/CES/2013/05/10/conversation-with-elena-ruehr-online-interview/</link>
		<comments>http://mta.scripts.mit.edu/CES/2013/05/10/conversation-with-elena-ruehr-online-interview/#comments</comments>
		<pubDate>Fri, 10 May 2013 15:04:31 +0000</pubDate>
		<dc:creator>Clarise Snyder</dc:creator>
				<category><![CDATA[Music News]]></category>

		<guid isPermaLink="false">http://mta.scripts.mit.edu/CES/?p=4204</guid>
		<description><![CDATA[This interview appeared in the poetry publication, PN Review Volume 39 Number 5, May &#8211; June 2013 Words and Music: A Conversation with Elena Ruehr by Reena Sastri A graduate of the Julliard School and the University of Michigan, and &#8230; <a href="http://mta.scripts.mit.edu/CES/2013/05/10/conversation-with-elena-ruehr-online-interview/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>This interview appeared in the poetry publication, <strong>PN Review<br />
</strong>Volume 39 Number 5, May &#8211; June 2013</p>
<p><strong><span class="title"><a href="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/01/RUEHR.jpg"><img class="alignleft size-full wp-image-3439" alt="RUEHR" src="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/01/RUEHR.jpg" width="200" height="200" /></a>Words and Music: A Conversation with Elena Ruehr </span> </strong><span class="author"><strong> by Reena Sastri</strong><br />
</span>A graduate of the Julliard School and the University of Michigan, and a faculty member at MIT, Boston-based composer Elena Ruehr has created works for chamber ensemble, orchestra, chorus, wind ensemble, opera, dance and silent film. Rhythmically intricate and melodically graceful, her music has seductive surfaces which belie its complexity. I met with Elena Ruehr in January 2012 to discuss her recent cantata, <i>Averno</i>, based on Louise Glück&#8217;s 2006 volume of that name, and to learn more about setting poetry. The conversation took final shape in a subsequent exchange of emails, but grew out of a warm and animated exchange in the composer&#8217;s living room last winter.</p>
<p><a href="http://www.pnreview.co.uk/cgi-bin/scribe?item_id=8793"><strong>READ MORE</strong></a></p>
]]></content:encoded>
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		<title>FJE Recording Session at Fraser Studio WGBH</title>
		<link>http://mta.scripts.mit.edu/CES/2013/05/10/fje-recording-session-at-fraser-studio-wgbh/</link>
		<comments>http://mta.scripts.mit.edu/CES/2013/05/10/fje-recording-session-at-fraser-studio-wgbh/#comments</comments>
		<pubDate>Fri, 10 May 2013 13:21:36 +0000</pubDate>
		<dc:creator>Clarise Snyder</dc:creator>
				<category><![CDATA[Music News]]></category>

		<guid isPermaLink="false">http://mta.scripts.mit.edu/CES/?p=4195</guid>
		<description><![CDATA[MIT Festival Jazz Ensemble and Vocal Jazz Ensemble recorded Chick Corea&#8217;s From Forever, Suite for Big Band, Harbison&#8217;s In Praise of MIT and Rhumba for Rafael Reif at the WGBH Fraser Studio with John Harbison, Frederick Harris, Keala Kaumeheiwa and &#8230; <a href="http://mta.scripts.mit.edu/CES/2013/05/10/fje-recording-session-at-fraser-studio-wgbh/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/05/fje-2013_small1.jpg"><img class="alignleft size-full wp-image-4200" alt="fje 2013_small" src="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/05/fje-2013_small1.jpg" width="700" height="287" /></a></p>
<p>MIT Festival Jazz Ensemble and Vocal Jazz Ensemble recorded Chick Corea&#8217;s <em>From Forever, Suite for Big Band</em>, Harbison&#8217;s <em>In Praise of MIT</em> and <em>Rhumba for Rafael Reif </em>at the WGBH Fraser Studio with John Harbison, Frederick Harris, Keala Kaumeheiwa and Mark Harvey on 5/9/13.<em><br />
</em></p>
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		<title>MIT Emerson Recitals at Bose Corporation</title>
		<link>http://mta.scripts.mit.edu/CES/2013/05/09/mit-emerson-recitals-at-bose/</link>
		<comments>http://mta.scripts.mit.edu/CES/2013/05/09/mit-emerson-recitals-at-bose/#comments</comments>
		<pubDate>Thu, 09 May 2013 14:33:23 +0000</pubDate>
		<dc:creator>Clarise Snyder</dc:creator>
				<category><![CDATA[Music Event]]></category>
		<category><![CDATA[Music News]]></category>

		<guid isPermaLink="false">http://mta.scripts.mit.edu/CES/?p=4189</guid>
		<description><![CDATA[]]></description>
				<content:encoded><![CDATA[<p><a href="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/05/MIT-Concerts-bose.jpg"><img class="alignleft size-large wp-image-4190" alt="MIT Concerts bose" src="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/05/MIT-Concerts-bose-1024x791.jpg" width="640" height="494" /></a></p>
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		<title>Bay State Banner reviews Jazz 50 Gala</title>
		<link>http://mta.scripts.mit.edu/CES/2013/05/02/bay-state-banner-reviews-jazz-50-gala/</link>
		<comments>http://mta.scripts.mit.edu/CES/2013/05/02/bay-state-banner-reviews-jazz-50-gala/#comments</comments>
		<pubDate>Thu, 02 May 2013 13:40:19 +0000</pubDate>
		<dc:creator>Clarise Snyder</dc:creator>
				<category><![CDATA[Music News]]></category>

		<guid isPermaLink="false">http://mta.scripts.mit.edu/CES/?p=4182</guid>
		<description><![CDATA[&#160; &#160; &#160; MIT honors late band leader Herb Pomeroy at moving memorial concert by Susan Saccoccia Read review &#160; Revered jazz trumpeter, band leader and educator Herb Pomeroy once urged an audience to toss out their CDs and instead, &#8230; <a href="http://mta.scripts.mit.edu/CES/2013/05/02/bay-state-banner-reviews-jazz-50-gala/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/05/FJE.4.27.13.jpg"><img class="alignleft size-medium wp-image-4183" alt="FJE.4.27.13" src="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/05/FJE.4.27.13-300x124.jpg" width="300" height="124" /></a></p>
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<p>MIT honors late band leader<br />
Herb Pomeroy at moving<br />
memorial concert</p>
<p>by Susan Saccoccia</p>
<p><a href="http://www.baystatebanner.com/mit-bandleader-memorial-2013-05-02#sthash.OlQhPQWh.i8NnBrru.dpbs">Read review</a></p>
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<p>Revered jazz trumpeter, band leader and educator Herb Pomeroy once urged an audience to toss out their CDs and instead, go out and “see live jazz.”</p>
<p>Pomeroy made the remark in 2005 while taking part in a panel at the Berklee School of Music, where he taught for 41 years. After retiring from Berklee, he joined the Massachusetts Institute of Technology, and from 1963 to 1985 he directed its band and developed its formal jazz program.</p>
<p>- See more at: http://www.baystatebanner.com/mit-bandleader-memorial-2013-05-02#sthash.OlQhPQWh.i8NnBrru.dpuf</p>
</div>
<div style="position: absolute; top: -1999px; left: -1988px;">
<p>Revered jazz trumpeter, band leader and educator Herb Pomeroy once urged an audience to toss out their CDs and instead, go out and “see live jazz.”</p>
<p>Pomeroy made the remark in 2005 while taking part in a panel at the Berklee School of Music, where he taught for 41 years. After retiring from Berklee, he joined the Massachusetts Institute of Technology, and from 1963 to 1985 he directed its band and developed its formal jazz program.</p>
<p>- See more at: http://www.baystatebanner.com/mit-bandleader-memorial-2013-05-02#sthash.OlQhPQWh.i8NnBrru.dpuf</p>
</div>
<div style="position: absolute; top: -1999px; left: -1988px;"><a href="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/05/FJE.4.27.13.jpg"><img class="alignleft size-full wp-image-4183" alt="FJE.4.27.13" src="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/05/FJE.4.27.13.jpg" width="962" height="400" /></a>MITMIT honors late band leader Herb Pomeroy at moving memorial concert &#8211; See more at: http://www.baystatebanner.com/mit-bandleader-memorial-2013-05-02#sthash.OlQhPQWh.i8NnBrru.dpuf</div>
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		<title>David Deveau with the Boston Symphony Orchestra Chamber Players</title>
		<link>http://mta.scripts.mit.edu/CES/2013/04/30/david-deveau-witht-he-boston-symphony-orchestra-chamber-players/</link>
		<comments>http://mta.scripts.mit.edu/CES/2013/04/30/david-deveau-witht-he-boston-symphony-orchestra-chamber-players/#comments</comments>
		<pubDate>Tue, 30 Apr 2013 13:33:49 +0000</pubDate>
		<dc:creator>Clarise Snyder</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://mta.scripts.mit.edu/CES/?p=4160</guid>
		<description><![CDATA[Two Reviews of a performance by pianist David Deveau with the BSO Chamber Players at Jordan Hall on Sunday, April 29. Boston Musical Intelligencer David Patterson &#8220;With David Deveau, the Chamber Players elevated the Brahms Trio in A Minor, Opus &#8230; <a href="http://mta.scripts.mit.edu/CES/2013/04/30/david-deveau-witht-he-boston-symphony-orchestra-chamber-players/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>Two Reviews of a performance by pianist David Deveau with the BSO Chamber Players at Jordan Hall on Sunday, April 29.</p>
<p><strong>Boston Musical Intelligencer</strong><br />
David Patterson</p>
<p><em>&#8220;With David Deveau, the Chamber Players elevated the Brahms Trio in A Minor, Opus 114 to indescribable eloquence.&#8221;</em></p>
<p><em>&#8221; I could have sat through yet another performance right there, on the spot.&#8221;</em></p>
<p><em>&#8220;It might be said that the four BSO string players, Martinson, Ansell, Eskin, and Barker, and the six BSO wind players, Rowe, Ferrillo, Hudgins, Svoboda, Sommerville, and Nordstrom, along with pianist David Deveau, fashioned a veritable tonal treasure trove as beautiful and moving as was April’s last Sunday in 2013.&#8221;</em></p>
<p><a href="http://classical-scene.com/2013/04/29/trove/">READ FULL REVIEW</a></p>
<p><a href="http://mta.scripts.mit.edu/CES/2013/04/30/david-deveau-witht-he-boston-symphony-orchestra-chamber-players/bsocp-deveau/" rel="attachment wp-att-4161"><img class="alignleft size-full wp-image-4161" alt="BSOCP.Deveau" src="http://mta.scripts.mit.edu/CES/wp-content/uploads/2013/04/BSOCP.Deveau.jpg" width="520" height="390" /></a></p>
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<p><strong>Boston Classical Review</strong><br />
Keith Powers</p>
<p><em>&#8220;The players shared a genial interaction throughout, mimicking the quality of the interplay in the score.&#8221;</em></p>
<p><a href="http://bostonclassicalreview.com/2013/04/boston-chamber-players-close-season-with-a-program-of-late-works/">READ FULL REVIEW</a></p>
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